Makin' Music NY

Your Music Community!

Mike Stokes

10 Ways The GRAMMYs Are Taking Over The Social Web

10 Ways The GRAMMYs Are Taking Over The Social Web
Liz Burr - January 22, 2010 - 12:00pm

Earlier this month I had the privilege of visiting the offices of The Recording Academy to learn more about the social media and online initiatives planned for the 52nd Annual GRAMMY Awards. I'm an independent new media consultant, but more importantly I'm a music fan, so I was interested in learning how The Recording Academy is integrating social media into their digital presence. Could the GRAMMYs develop and embrace a solid social media strategy? Would they challenge themselves or play it safe?
I spent several hours grilling team leaders about their social media plan, the technology behind their digital initiatives, and the advertising campaign for this year's awards. I was impressed to find The Academy is well-prepared and supportive of a comprehensive social media and digital campaign. They were eager to cover as much of the social Web as possible, while maintaining the integrity of the GRAMMY brand. Overall, their digital and marketing teams have crafted some amazing online experiences that are neither amateur nor lazy in execution.

Here are 10 ways the GRAMMYs are taking over the social Web this year:


1. GRAMMY.com redesign: The new iteration of GRAMMY.com has incorporated a sleek design and structure, indicative of today's world of Web3.0. Launched in December, the new site is operating on Drupal (open source!), and it features a clean and organized design that is consistent with their creative campaign. The new site is an effective home base for their numerous digital campaigns floating around the Web.
2. WereAllFans.com: If you are a lover of music, social media, user-generated content, or creative data visualizations, then you will love WereAllFans.com. This site creatively displays fan content submitted via YouTube, Twitter and Flickr. Not only are GRAMMY-nominated artists continuously added to the site, but new features are being added as we draw closer to GRAMMY Week.
3. Guess the GRAMMYs iPhone app: The GRAMMY iPhone app allows you to pretend you and your friends are voting members of The Recording Academy for this year's ballot. Guess who you think will win the GRAMMY and find out how your picks measure up when the winners are announced on GRAMMY night.
4. GRAMMY iTunes Store: The comprehensive store lists all nominated artists and titles for this year, and brings together all GRAMMY compilation albums dating back to 1958. GRAMMY-winning history is easy to browse and purchase in this beautiful iTunes store.
5. GRAMMY.com Video section: It's no surprise the Recording Academy has a treasured video archive of previous ceremonies dating back for decades. Although musical performances are likely on lockdown due to licensing concerns, GRAMMY moments new and old are showcased in this online video library. Acceptance speeches, red-carpet moments and nomination concerts are available for fans to take a digital stroll down memory lane.
6. Community bloggers: The Recording Academy has invited a handful of established music bloggers to contribute original content to GRAMMY.com, and has credentialed them to cover events during GRAMMY week. Community bloggers are given freedom to write about their area of expertise in the Blogs section of GRAMMY.com.
7. GRAMMY Live: Three-day live-streaming event. I am most excited by the live-streaming production planned for the three days leading up to the ceremony. I'll be writing more about this in another post, but this won't be your typical live-streaming event.
8. GRAMMY Radio: Stream this year's nominated music from your computer via an online radio player. This is an excellent way to sample some of the music that is being sold at the GRAMMY iTunes store.
9. Twitter: Not only is @TheGRAMMYs the best way to stay on top of breaking news for the GRAMMYs, this official Twitter account regularly holds contests where followers can win some cool GRAMMY-affiliated prizes.
10. Facebook, YouTube and MySpace: The GRAMMYs is online with a full-court social media press. My favorite is their YouTube channel, where you'll find they have tagged this year's GRAMMY commercials with links to the original YouTube mash-up videos. Click through to find more content from the YouTube stars featured in the commercials.

Liz Burr is a new media consultant who specializes in assisting entertainment and publishing sites advance their Internet presence and make smarter decisions in the realm of social media and web technology. She has worn many hats over the years as a web designer, content producer, front-end web developer, product developer, project manager and strategic advisor. She is a graduate of the Massachusetts Institute of Technology where she earned a B.S. degree in Comparative Media Studies. She also holds a master's degree from the Annenberg School for Communication & Journalism at USC. You can find her blogging at LizBurr.com, or on Twitter as @calinative.

Tags: app, bloggers, blogging, blogs, grammy, iphone, itunes, live, media, myspace

Comment

You need to be a member of Makin' Music NY to add comments!

Join Makin' Music NY

Photos

Loading…

Groups

Support!

Photobucket
Help support this site's operation by making a small contribution.
[Suggested : $5.00]
Photobucket
Members, ask for our free monthly newsletter.
Stay in the loop! Subscribe here:

Photobucket

Photobucket


Badge

Loading…

NPR Music

Nicholas Payton: Live At The Village Vanguard

He found his footing in jazz through its hard-swinging main stem. But after he'd proved his hard-bop mettle, he took a fork in the road toward electric experimentalism. Now, trumpeter Nicholas Payton seems comfortable pursuing a middle ground. Hear his band play live.

The Soft Pack On World Cafe

Tired of the new-wave explosion in their hometown of San Diego, The Soft Pack's Matt Lamkin and Matty McLoughlin got their start after deciding to revive old-school grunge. Later joined by Dave Lantzman and Brian Hill, the group found a knack for writing simple and catchy tunes that hint at the New York underground and subtle '60s California surf-rock.

OK Go Fights For Its Viral Video

Damian Kulash, singer-songwriter-guitarist with OK Go, talks about the group's split with its label as the result of a label policy that kept a popular video the band made from being embedded on YouTube. "This Too Shall Pass" is a viral video that took a month to make; it displays an elaborate two-story Rube Goldberg device timed to the song.

Midlake: In Tune With Nature

"If all that grows starts to fade, starts to falter / Oh, let me inside, let me inside not to wake," Midlake's Tim Smith sings in "Acts of Man," which surrounds his meditation on man and nature with dense harmonies and the rich sounds of a folk-pop orchestra.

Voice From The Darkness: Johnny Cash's Final Record

Seven years after the death of Johnny Cash, producer Rick Rubin has selected 10 more songs among the many he produced for Cash late in the singer's life. Rock critic Ken Tucker examines the end result, the album American VI: Ain't No Grave.

NYTimes Music

Archive and Historical Society Exhibition for Grateful Dead

An exhibit at the New-York Historical Society is the first large showing of items from the Grateful Dead archive.

Arts, Briefly: Lady Antebellum Returns to Top of Chart

Six new albums entered the Billboard Top 10 this week, but none could best the two titles that have dominated the chart for the last five weeks.

Music Review | Grawemeyer Players: Award-Winning Works by Lutoslawski, Kurtag and Currier

The Grawemeyer Players, a faculty ensemble from the University of Louisville, performed works by winners of the university’s annual composition prize at Weill Recital Hall.

Music Review | Ying Quartet: Barber’s Centenary Celebrated at Morgan Library & Museum

On Tuesday, the centenary of Samuel Barber’s birth, the Ying Quartet performed the composer’s Op. 11 String Quartet in Gilder Lehrman Hall at the Morgan Library & Museum.

‘The Nose,’ and the Eye and the Ear, at Metropolitan Opera

Three critics for The New York Times discuss the music, the art and the literary threads of the Metropolitan Opera’s production of the Shostakovich opera “The Nose.”

© 2010   Created by Mike Stokes on Ning.   Create a Ning Network!

Badges  |  Report an Issue  |  Privacy  |  Terms of Service